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Born in Buenos Aires in 1916, Alberto Ginastera lived to become
unquestionably the most significant figure in Argentine music in the 20th
Century. This CD combines Ginastera’s deep interest in the authentic folk
music of his country alongside the more radical compositional techniques which
gave his music such individual personality. Commissioned in 1941 for Lincoln
Kirstein’s Ballet Caravan, the 1943 Suite made from Estancia became the
piece that launched Ginastera’s international fame–the spectacular Danza
Final is perhaps Ginastera’s most celebrated essay in the style of the
Malambo–an exhilarating explosion of kinetic energy.
Also in 1943, Ginastera composed his Overture to the Creole Faust,
and it is, in a way an appendix to the Estancia dances, since it again
deals with the life of the gauchos. Ollantay is nearly a symphony.
Composed in 1947 for Erich Kleiber, the three movement work takes its
inspiration from a poem from the early Incan period. Pampeana No. 3 is
even closer to the symphony that Ginastera never wrote. Pampeana No.3 , like
Ollantay, is also in three movements. The title recalls rhythms and melodies
of the Argentine pampas, and the second movement contains one of the most
extraordinary rhythmic tours-de-force in all of Ginastera’s output. The
Odense Symphony Orchestra continues their new series on Bridge with this
outstanding recording. Bridge discs which also feature the Odense Symphony
Orchestra include: BRIDGE 9129 (Villa-Lobos Symphonic Music), BRIDGE 9122 (Poul
Ruders Edition, Vol. 3) and BRIDGE 9100 (Nielsen Violin Concerto).
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