Aaron Copland: Rarities and Masterpieces
"Music for the Theatre"
(1925)
Harmonie Ensemble/New York
Steven Richman, conductor
"Two Ballads" for Violin and Piano
(1957, edited 1986, by Phillip Ramey and Bennett Lerner)
premiere recording
Eugene Drucker, violin
Diane Walsh, piano
"Elegies" for Violin and Viola
(1932)
Eugene Drucker, violin
Lawrence Dutton, viola
"El Salón México"
(arranged for piano by Arturo Toscanini, ca. 1942)
premiere recording
Diane Walsh, piano
"Appalachian Spring Suite" for 13 instruments (original version)
(1944)
Harmonie Ensemble/New York
Steven Richman, conductor
BRIDGE 9145
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This disc presents superb new recordings of two Copland
masterpieces–the original version of the "Appalachian Spring
Suite" and the jazz-influenced "Music for the Theatre". Conductor Steven Richman and His Harmonie
Ensemble/New York have a long history with these two works.
In 1980, in celebration of his 80th birthday, Aaron Copland
conducted the Harmonie Ensemble in the "Appalachian Spring
Suite" and worked closely with conductor Richman and the
Harmonie Ensemble on a performance of "Music for the Theatre". In 1957, Copland began work on a violin
concerto for Isaac Stern. The project never reached fruition,
but in 1986, Phillip Ramey and Bennett Lerner, with the composer's
assistance, found that the sketches yielded the "Two
Ballads" with almost no changes. Eugene Drucker,
violinist of the Emerson Quartet, performs, accompanied by pianist
Diane Walsh. Mr. Drucker is then joined by fellow Emerson
Quartet member, violist Lawrence Dutton, in a reading of Copland's
rarely performed and unpublished "Elegies". This
somber work, composed in Mexico in 1932, was written in response to
the suicide of the poet Hart Crane. Perhaps the most unusual
recording on this disc is legendary conductor Arturo Toscanini's own
transcription of Copland's popular "El Salón México",
given its premiere recording here. Made in 1942, undoubtedly
to familiarize the conductor with the piece, Toscanini's manuscript
was given to Copland by Walter Toscanini, the conductor's son, in
1961. Mr. Richman discovered the arrangement while researching in
the Toscanini Archive in New York.
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