Great Performances from the Library of Congress, Vol. 21
The Budapest String Quartet, Artur Balsam, Boris Kroyt, John Barrows
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Great Performances from the Library of Congress, Vol. 21
Paul Hindemith
Sonata for Viola and Piano, Op. 11, No. 4
Boris Kroyt, viola; Artur Balsam, piano
Johannes Brahms
Trio for Violin, Horn and Piano in E-flat, Op. 40
Jac Gorodetzky, violin; John Barrows, horn; Artur Balsam, piano
Dmitri Shostakovich
Quintet for Piano and Strings in G minor, Op. 57
Artur Balsam, piano; The Budapest String Quartet
BRIDGE 9175
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Bridge is pleased to continue its survey of the Budapest
String Quartet's great concert legacy. The Budapest Quartet was the resident
group at the Library of Congress from 1940 to 1962, playing more than 450
concerts in the Coolidge Auditorium, and Artur Balsam was among their most
frequent guest artists. This superb pianist, born in Warsaw in 1906, became
Nathan Milstein’s accompanist in 1938 and in 1940, and followed the
violinist to America. Among the other string players with whom Balsam worked
were Adolf Busch, Zino Francescatti, Yehudi Menuhin, Erica Morini, Zara
Nelsova, Oscar Shumsky and Joseph Szigeti. He died in New York City in
1994.
The Hindemith sonata features Balsam with the oldest member of
the quartet, Boris Kroyt (1897-1969). Hindemith is a composer many people will
not associate with ‘the Budapest’, but in 1943 the quartet commissioned
Hindemith's Sixth String Quartet in E flat, premièring it at the Library. The
famous Op. 11, No. 4 Sonata was more youthfully romantic than the sort of
music Hindemith was producing by the time he himself premièred this sonata in
1919. Kroyt relishes this romanticism, lavishing lovely tone on Hindemith’s
phrases. Brahms wrote his Horn Trio with the natural horn in mind, which
accounts for its somewhat archaic melodic shape. Balsam anchors this fine
performance, with pianism of true Brahmsian weight, and the horn part is taken
by the distinguished American player John R. Barrows (1913-74). His artistry
here, in a staple of the horn repertoire, is beyond praise. Taking the violin
part is Jac Gorodetzky, the quartet's distinguished second violinist.
Shostakovich wrote his Piano Quintet so that he could have something to play
with his friends in the legendary Beethoven Quartet, and from its first
performance in 1940 it was a huge success. In this reading, one could use the
Budapest's beautiful performance of Shostakovich's fugue as an illustration of
some of the quartet's best qualities, with the various entries giving a good
idea of the individual players’ tonal profiles.
These Budapest String Quartet recordings are also available on
Bridge:
Brahms: Piano Quintet; Schubert: Trout; with George Szell, piano
BRIDGE 9062
Rachmaninoff Quartets, and Trio, Op. 9; with Artur Balsam, piano
BRIDGE 9063
Beethoven: The Late Quartets
BRIDGE 9072A/C
Beethoven: The Middle Quartets
BRIDGE 9099A/C
All Mozart: with George Szell, piano; Gustave Langenus, clarinet
BRIDGE 9085A/B
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